‘Stand Up Guys’ Cracks Wise
Doc: What do you want to do…until then?
The idea
of putting Al Pacino and Christopher Walken in a movie together, as guys who
have been friends for decades (with added support from Alan Arkin) seems like
an easy recipe for fun. Add the fact that they are all playing criminals
at the end of their run, roles that these guys could play in their sleep, and
there is almost a guarantee that the film will appeal to those who love these
actors. Unfortunately, Stand Up Guys really wastes a lot of
potential by not having these actors do anything more than play up all the
standard jokes you see in films about old friends getting back together and
acknowledging that they are older. Sure, these guys know how to play a
moment and hold solemn expressions on their faces when the time calls for it,
but we also get a twenty-minute subplot about Viagra. Add on a truly
awful ending and Stand Up Guys is a pretty big disappointment, given
what could have come from it.
The film
begins with Val (Al Pacino) and Doc (Christopher Walken) reuniting, following a
28-year prison sentence for Val. The two are old partners, last together
during a heist gone wrong, which resulted in the accidental death of a mob
boss’s son. This mob boss, Claphands (Mark Margolis), has now sentenced
Doc to killing his old partner within the 24 hour period, following his release
from prison, or else Claphands will have both Val and Doc killed. Val is
pretty much aware that his time is short and has Doc take him for a long night
on the town in Los Angeles, which includes picking up their old wheelman,
Hirsch (Alan Arkin), from an old folks home to have some fun with the guys as
well. These stand up guys get into a lot of mischief during the night,
which includes visits to clubs, brothels, local mob hangouts, and
graveyards. Lots of wiseguy hijinks ensue.
For a film
about dealing with the reality of being older and what that means for
relationships, Stand Up Guys is certainly no Amour. While
that film strives to be a tough and realistic (and an expertly crafted) display
of what an elderly relationship is like, Stand Up Guys is the more
sitcom-y “Grumpy Old Mobsters” movie, designed to be crowd-pleasing. It
is Best Exotic Marigold Hotel all over again, but with less sumptuous
visuals and “hilariously” casual racism from Maggie Smith’s character and more
criminal activity and Walken/Pacino/Arkin dialogue rhythms. Now I would
be all for something like this if the comedy in this movie was in fact
crowd-pleasing, but the film settles for very easy jokes that I see in
basically any comedy revolving around the elderly.
Stand
Up Guys is a big
miss when it comes to originality and remains predictable throughout, with the
exception of its ending, which only seems surprising because of how idiotic it
felt to me. Writer Noah Haidle treads no new ground and decides to have
these old guys deal with tired material that includes plenty of Viagra jokes,
the standard “look at all this medication I’m on” joke, the “old guy who looks
frail, but can still be plenty active, when the time calls for it” joke, and of
course “the old guys teach the young guys a thing or two about manners” joke.
If I am not letting Clint Eastwood get away with it anymore (you can skip Trouble
with the Curve by the way), then Stand Up Guys is not getting away
clean either.
Comedy
does not make up all of the film, of course, because this is the type of story
that is supposed to register as poignant in some way, but that also comes off
as false. The two big moments that should come off as the most emotional
are way too predictable, which is not necessarily a bad thing, except that one
of those moments is treated in an illogical manner, given the people involved
and the setting (hint: late night graveyard), while the other is handled rather
haphazardly, given the absurdity of the final ending of the film. I can
say that a certain character played by Addison Timlin is good, given what she is
required to do, but it feels like anyone could emote in a similar manner, given
that there is only one thing required to be delivered by that performance.
Speaking
of the cast, it certainly does feel like people were happy to sign up for this
movie, simply because of Pacino, Walken, and Arkin being involved. No one
is bad in this movie, but few are given a chance to really shine.
Julianna Margulies and Vanessa Ferlito appear in this film, but have little to
do, beyond play up the fact that they are female characters in the presence of
these older guys with “kind” hearts. The best supporting performance
really comes from Lucy Punch, as the owner of the brothel the guys visit,
multiple times. She gets a fun character to play and actually delivers
funny lines of dialogue that add a level of quirkiness to this film. The
leads are of course good, but it is nothing these guys can’t do. Walken
is maybe the standout, but only if you are happy with him playing up the sad
eyes approach to his performance, rather than going full Pacino.
It is not
so much that I wanted this film to be “great”, but I would have at least wanted
to consider it “good”, given what I thought I was getting into. A film
like Stand Up Guys could have been a light, but enjoyable picture, yet
the film steeps itself in contrived material and offers little beyond corny
jokes. It certainly is not without laughs, because as bad as a film can
be, when you put Pacino, Walken, and Arkin in a movie together, you are bound
to have some fun moments, but it still feels like an overall waste of their
talents. Given that I have seen each of them be much better in recent
films, it really comes down to the material they were given. Stand Up
Guys may have plenty of material to inform the type of film that this is
and the history that comes with it, but when you have awkward writing at play,
it shows. See these guys stand up better in other films.
Val: They say we die twice. Once when the breath leaves our body and once when the last person we know says our name.
Aaron
is a writer/reviewer for WhySoBlu.com.
Follow him on Twitter @AaronsPS3.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
He also co-hosts a podcast, Out Now with Aaron and Abe, available via iTunes or at HHWLOD.com.
Comments
Post a Comment